golden phoenix

Haider, even by Vishal Bhardwaj’s incredibly high standards is a master piece. In a topic that is extremely touchy in India, Bhardwaj manages to present an extremely balanced view of the ground situation. The delightful interplay of the various characters is riveting and the intensity never lets up always keeping the viewer on edge. At the same time it raises uncomfortable questions for the all the stakeholders concerned: the Indian army, plight of the Kashmiris and the Pakistani agenda. The most credible part of the film is that does justice to both Indian army and the Kashmiris and does not take any sides. The film’s dark shades are present throughout the film and convey the gravity through subtle nuances. Even, the scenes with laughter in them, always serve to convey something serious than to provide moments of comic relief. The epic monologue of Shahid “Hum hain ki hum nahin” beautifully puts across the existential crisis faced by the everyday Kashmiris. Caught between Paki

Balanced on a knife’s edge Not too long ago we celebrated our n th independence day. We waved a few flags, sent out customary greetings to our friends and family, enjoyed a day off and forgot all about the real issues that face our country today. Make no mistake: India is at a precipice today balancing itself at a knife’s edge. Currently, the entire social fabric that weaves India together is about to be destroyed. And nothing can be more appropriate, more illuminating than the current crop of movies that are being churned out by Bollywood and are rip-roaringly successful. Bollywood as a mirror of Indian society Traditionally, Bollywood has always reflected India’s broader sentiment at large. In the 50’s and 60’s it was Manoj Kumar singing “Mere Desh ki Dharti” and Lal Bahadur Shastri saying “Jai Jawan Jai Kisan”. The era when the farmer issues dominated the on screen cinema personified by “Mother India” In the 70’s it was the angry young man, Amitabh fighting against esta